culture

Kāma, as the third पुरुषार्थ ( Puruṣārtha ) is a strong pillar of society, yet it is mistaken as lust. When pushed into secrecy, it deranges us silently and creates a crippled, damaged society. Kāma is the original expression from Bindu a potent and powerful seed that bursts and creates an entire life ( स्फोट ).

She is a river of bliss, flowing eternally. She glows as she twists and turns, taking even the hardest souls on her wild currents and smoothing them with the gentle brush of time. She is sensual, curvy, soothing, and at times ferocious according to the moment. Yet this eternal flow often rises within beings as the feminine itself. She awakens what has long been still, stirring what is capable of blooming but afraid to move. She arouses you in mind and body, and the ancient se

Hiranya is the golden womb, the fierce tenderness, the cosmic fire, the immortal glow. She is the beginning of stories and the reason stories continue to be told. She is the one who teaches us that in every atom, every breath, every heart, there is a small, unbreakable piece of gold waiting for its fire.

In everyday life, in our daily struggle to survive and thrive, there are a few moments worth pausing, relaxing, and appreciating. What are those? When we are younger, we are eager to grow older; when young, we chase something; and when time slips by, we make failed attempts to remain young.

अजिंठ्याच्या पुरातन भित्तिचित्रांपासून ते वेरूळ, खिद्रापूरच्या शिल्पांपर्यंत स्त्री सौंदर्य धोती कंचुकीने नटले. नऊवारी हे मध्ययुगातील त्याच्याच आधारावर निर्माण झालेला एक सुंदर अविष्कार. मराठा काळात हेच सौंदर्य नऊवारी परिधान करून युद्धभूमीवर पराक्रमासाठी उतरले आणि जगभर प्रसिद्ध झाले. ब्रिटिश कलाकारांच्या कंपनी पेंटिंग आणि छायाचित्रांमध्ये टिपले गेले. स्वातंत्र्यानंतर अनेक चित्रकार आणि शिल्पकारांनी देखील नऊवारीतील सुंदरी कोरल्या.

She is not down to earth — she is the earth herself.She lives by the cosmic truth, connected to the pulse of creation, breathing in rhythm with the soil and the stars. She bleeds with the waxing and waning of the moon, gives birth, nourishes, and transforms seeds into beings that walk this sacred plane. She is the most beautiful manifestation of the five elements — earth, water, fire, air, and ether — fused into a single, breathing cosmos. She is SuraSundari — bold, beautiful

Freed from toil, her body becomes a temple, her senses awake to every touch of water, wind, and sun. The bath is an offering, a dialogue between the self and the cosmos, where every droplet reflects light, life, and possibility.

She is not down to earth — she is the earth herself. She lives by the cosmic truth, connected to the pulse of creation, breathing in rhythm with the soil and the stars. She bleeds with the waxing and waning of the moon, gives birth, nourishes, and transforms seeds into beings that walk this sacred plane.

Yakshini is a sign of abundance, sacredness, and fluidity. She is the mirror of nature in human form. She is no demi-goddess, no ghostly spirit, nor a witch in the traditional sense. She is the one who cannot be ignored, vital, untamed, and luminous.

What we’re making is not just art to be “looked at” — it’s something to be felt slowly, like poetry unfolding. We want to bring you closer to a time when love, dance, poetry, and celebration were a natural part of life. A time when women were honoured as sacred, when festivals like Vasant Utsav filled both villages and palaces with joy, and when beauty was not the tool of capitalism but seen as something sacred and beyond the physical.

She waits in the green quiet between root and rotting leaf, patient as a tide. She is not antique nor myth alone but presence itself, breathing in our own skin. To touch her is to remember a language older than words: hands that gather, lips that bless, hips that remember moonlit harvests. The body once carried wisdom like a forest carries rain, open, unashamed, overflowing with song.

प्रश्न कला बोल्ड आहे का नाही, तो नाही. प्रश्न आहे  स्त्रीला स्वतः ठरवण्याचा अधिकार आहे का नाही. कारण जेव्हा ती ठरवते, तेव्हा ती केवळ कला निर्मित नाही करत ती इतिहास घडवत असते.आणि इतिहास लिहून ठेवतो आपण तिला गप्प बसवलं, की तिच्या सोबत उभं राहिलो.

A reflection on art, culture, and the feminine form The Question of “Bold” “Why do you do such bold work?”“Don’t you feel shame in...

The earth is not mere soil; she is Prithvi, Bhūmi Devi, mother, healer, womb of fertility. To coat the body in her clay is to surrender, to remember our origin, to feel her warmth press against the skin like memory itself. Washed clean, the body glows with a radiance no artifice can imitate. Mruttika Snan is love upon the body, a sacred, sensual surrender—a celebration of raw, divine beauty.

There was a time when life was not measured in hours or wealth, but in the rhythm of the heartbeat and the pulse of the earth. Humanity lived naked before the elements—facing hunger, storms, the vast unknown.

Photography is the younger sibling of sculpture and painting.What the eyes have seen, what stirred the heart, what awakened a feeling, all of it is captured through this medium, woven together with science and art.

An ancient rock looks like dragon egg on the bank of the ferocious ocean and dark skies is all a terrific combination. It was tempting to create a visual art through body movements and fabric.

A tribute to the forest enchantress NEELA who is still alive in the minds of millions across India. Villages where she is mentioned in bedtime stories or by the fireside. The seductive, beautiful and powerful demigoddess who rules the interior of forest where no one dares to venture.

A continuous stream of energy flows down from the mountaintop into the valley. She is gentle yet incredibly powerful—an elemental force both sensual and fierce. Refreshing, cold, and full of life. She cannot be owned, yet she lives within all of us.

A sky darkened with clouds,A wild wind roaring through,And the sea, raging in its own stormy rhythm. In that moody afternoon,The poet...